Cage's Gone in Sixty Seconds director, Dominic Sena,
keeps things moving at a bright clip, but the film loses even a modicum
of credibility due to a built-in conflict of interest in Bragi Schut's
screenplay. His story realistically paints the medieval Catholic Church
as a repository of superstition, ethnic hatred, torture, murder and
intolerance. And yet, as in The Exorcist or any other movie where demons
and devils put in appearances, the Church is still seen as the last
refuge against evil. It all depends on how one defines "evil,"
apparently if torture, murder and intolerance don't make the cut.
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